Wor(l)d of Morrissey
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This site and all of the work made to keep it updated during the last 26 years are dedicated to my beloved friend MaCa65 who suddenly left this lonely planet
and me without words. Throughout the short stretch of time that we have been given to spend together as close friends, we shared many things,
thoughts, afternoons, views, passions and some bits of Life. Back in 1983, together we discovered a band called The Smiths and together since then, we followed Morrissey's career
as one of the most influential and inspiring singer/artist/poet of our age. Maca65 has always been a strong supporter since when I first launched WoM,
so this is and will always be entirely for you, my friend. -- David

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David LM
Glass Menagerie (Belfast)

Across the alley from us was the Paradise Dance Hall. On evenings in Spring the windows and doors were open and the music came outdoors. Sometimes the lights would be turned out except for a large glass sphere that hung from the ceiling. It would turn slowly about and filter the dusk with delicate rainbow colors. Then the orchestra played a waltz or a tango, something that had a slow and sensuous rhythm. Couples would come outside, to the relative privacy of the alley. You could see them kissing behind ash pits and telephone poles. This was the compensation for lives that passed like mine, without any change or adventure. But adventure and change were imminent in this year. They were waiting around the corner for all these kids. Suspended in the mist over Berchtesgaden, caught in the folds of Chamberlain's umbrella. In Spain there was Guernica! But here there was only hot swing music and liquor, dance halls, bars, and movies, and sex that hung in the gloom like a chandelier and flooded the world with brief, deceptive rainbows...

This is an instrumental from the Miraval sessions during which Morrissey recorded early versions of most of the material for his "Southpaw Grammar" album. This doesn't exist with lyrics, but it is assumed elements of the song later evolved into "The Teachers Are Afraid Of The Pupils". The words given above are from the film sample heard in the background at the beginning and the end of the piece. The sample is assumed to have been lifted from the 1950 film adaptation by Irving Rapper of the Tennessee Williams' play "The Glass Menagerie". The words are spoken by Tom, to the audience.

The first sentence is omitted in the intro of the song but can be heard when the sample is repeated at the end of the piece. The text above usually ends with the words "All the world was waiting for bombardments!", but this was dropped from the sample.

The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller.



Album: [unreleased]
Year of Publication: 1999
Lyrics: Morrissey
Music: Alain Whyte?

last update: 31/05/2025

Do you have additions and/or corrections about the lyrics or comments?
Please send them in!
Il serraglio di vetro (Belfast)

Dall'altra parte del vicolo rispetto a noi si trovava la sala da ballo Paradiso. Nelle serate di primavera le finestre e le porte erano aperte e la musica arrivava all'esterno. A volte le luci si spegnevano, tranne che per una grande sfera di vetro che pendeva dal soffitto. Girava lentamente e filtrava il crepuscolo con delicati colori arcobaleno. Poi l'orchestra suonava un valzer o un tango, qualcosa che aveva un ritmo lento e sensuale. Le coppie uscivano fuori in cerca della relativa privacy del vicolo. Si poteva vederle baciarsi dietro i portacenere ed i pali del telefono. Questa è stata la compensazione per le vite passate come la mia, senza alcun cambiamento o avventura. Ma quest'anno l'avventura e il cambiamento erano imminenti. Erano in attesa dietro l'angolo per tutti questi ragazzi. Sospesi nella foschia sopra Berchtesgaden, intrappolati nelle pieghe dell'ombrello di Chamberlain. In Spagna c'era Guernica! Ma qui c'era solo musica hot swing e liquori, sale da ballo, bar e cinema e sesso che oscillava nel buio come un lampadario e inondava il mondo con brevi, ingannevoli arcobaleni...

Si tratta di un brano strumentale tratto dalle sessioni Miraval durante le quali Morrissey ha registrato le prime versioni della maggior parte del materiale per il suo album, "Southpaw Grammar". Ad oggi non si conosce il testo, ma si presume che alcuni passaggi musicali della canzone in seguito si siano evoluti in "The Teachers Are Afraid Of The Pupils". Il testo riportato sopra è tratto dal campionamento che si può ascoltare all'inizio e alla fine del brano. Probabilmente il campionamento è stato estratto dall'adattamento cinematografico del 1950 di Irving Rapper dell'opera di Tennessee Williams intitolata "The Glass Menagerie". Le parole sono pronunciate dal personaggio chiamato Tom, rivolto al pubblico.

La prima frase è omessa nell'introduzione del brano, ma può essere ascoltata quando il campionamento viene ripetuto alla fine. Il testo originale finisce con le parole "Tutto il mondo era in attesa dei bombardamenti!", ma questa frase è stata tagliata. 

The Glass Menagerie è un'opera teatrale di Tennessee Williams che debuttò nel 1944 e catapultò Williams dall'anonimato alla fama. L'opera presenta forti elementi autobiografici, con personaggi ispirati all'autore stesso, alla sua madre istrionica e alla sorella mentalmente fragile. Per scrivere l'opera, Williams attinse da un precedente racconto breve e da una sceneggiatura che aveva scritto con il titolo The Gentleman Caller.



Album: [unreleased]
Anno di pubblicazione: 1999
Testo: Morrissey
Musica: Alain Whyte?

ultimo agg.: 31/05/2025

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